Downtown Pittsburgh has a new crown jewel coming this summer. The Fulton Building at 107 Sixth Avenue, long home to the Renaissance Pittsburgh Hotel, is set to debut as The Atterbury, a fresh member of Marriott's Autograph Collection. The transformation, which began quietly in September 2025, has touched all 300 guest rooms, expanded meeting space to nearly 20,000 square feet, introduced a new contemporary American restaurant, and restored the building's grand rotunda and skywell to their original splendor.

The hotel takes its name from Grosvenor Atterbury, the architect who designed the 13-story building for Carnegie Steel magnate Henry Phipps in 1906. That lineage permeates every corner of the renovation. Portraits of Grosvenor and his wife Estelle greet guests behind the reception desk. QR codes scattered throughout the property link visitors to local historical context and information on the art groupings found at each elevator landing. In some bathrooms, excerpts from Henry Phipps's own diary have been hand-rendered into alluring wallpaper. The building's original 30-foot-wide skylight over the marble lobby, which Atterbury designed with opening windows to pull river air through the space as a form of natural air conditioning, has been restored and now floods the rotunda with daylight once again.

"We want to invite everyone down. And invite everyone in."
Chris Johnson, General Manager, The Atterbury

General Manager Chris Johnson, a self-described history buff who says he feels "like a 10-year-old" walking the building's halls, has set an ambitious cultural goal for the property. He wants The Atterbury to serve as "Pittsburgh's living room," welcoming residents and visitors alike. The hotel's programming will back that claim with a six-minute music-and-light experience projected onto the soaring rotunda twice daily, tracing Pittsburgh's story from its earliest Native inhabitants through the steel era and into the present. Entry to the show will be free and open to the public.

The Atterbury by the Numbers
300 Fully renovated guest rooms across 13 floors, each with distinct decor and layouts varying by floor
20,000 Square feet of meeting and event space, up substantially from the hotel's prior configuration
6 Minutes long: the free daily light-and-music experience projected onto the restored grand rotunda
1906 Year the Fulton Building was constructed, designed by architect Grosvenor Atterbury for Henry Phipps

The new Drafting Room restaurant anchors the hotel's ground-floor dining experience. Inspired by the precision and creativity of an architect's studio, the space seats 22 at tables, 16 at the bar, and 8 more on a sidewalk terrace overlooking Sixth Avenue. Johnson describes the fare as "straightforward American, elevated but not over the top," supported by Pennsylvania craft beer, approachable wines, and coffee by La Colombe. Adjacent to the Drafting Room, the Fulton Room serves as an elegant lounge with chandeliers designed to pay homage to Pittsburgh's paddleboat heritage.

Guest rooms vary floor by floor in decor and layout, though all carry a consistent quality of finish. A corner king might feature colors and wall vinyls evoking the building's original era alongside a gallery wall pairing a vintage theater floor plan with a piece of modern sculpture that honors Pittsburgh's iconic yellow bridges. For those seeking added luxury, a handful of rooms with soaking tubs and two with private balconies will be available. The Presidential Suite, complete with river views and a storied history, sits at the top of the offering. Rumor has it that Lady Gaga once called it home during a tour stop through the city.

Pittsburgh's Living Room

The Atterbury also leans into community in tangible ways. Johnson plans to introduce SIN (Service Industry Night) cards, extending 20% discounts to hospitality workers on designated evenings. "Let's take care of the folks who do what we do," he said. Small touches throughout the hotel reinforce the local commitment: wall hooks spelled out in "Burgh," do-not-disturb door hangers in Pittsburghese ("Don't be so nebby" or "Time to redd up"), and a lobby design evoking an early-1900s general store with wooden shelves and floor-to-ceiling windows deliberately left open to the sidewalk to draw the city inside.

The hotel sits at what Johnson calls "the corner of Main and Main" for good reason. Steps from the Allegheny Riverfront and in the heart of the Cultural District, The Atterbury is within walking distance of Acrisure Stadium, PNC Park, dozens of restaurants and multiple theaters. Its re-emergence under a new name and brand is a strong signal that Pittsburgh's hospitality market is not merely recovering but actively reinventing itself around the city's own identity.

An official opening date has not yet been announced. But Johnson promises some surprises when the doors swing open, perhaps a bartender mixing cocktails in the elevator, or other "little surprises that touch the heart." For a downtown that has worked hard to reclaim its energy and confidence, The Atterbury looks like exactly the kind of place worth the wait.